11/8/2021 0 Comments Cubase 8.5 Manual
Let’s go over some of my favorite things in it.In recent years, Steinberg have been releasing new versions of Cubase on an impressively paced annual schedule, alternating between major and ‘point five’ versions — many of which have nevertheless introduced important new features. There’s a lot of people that complain about the mixer in 8/8.5, but for me it’s an amazing. One of the best things in Cubase 8.5 so far has been the mixer. Sun Jun 26 09:49:44 2016 Reader. And check out the official SteinbergCubase 8 combines powerful tools from Nuendo with new features such as VCA faders and the ability to render audio in place.So whereas in Cubase 8.5, pressing F1 would open the PDF Operating Manual, in version 9 you now get an alert saying that the manual could not be found and, indeed, if you look inside the Cubase 9 folder in Program Files / Steinberg on Windows, or within the application package on Mac OS, there is no longer a Documentation folder.Features I really like in Cubase 8.5. Please don’t forget to register at MySteinberg in order to gain access to online support offers and additional exclusive services.Cubase Studio later became Cubase Artist, making things a little clearer, but in version 8 Steinberg have removed any possible ambiguity: this new Cubase is now called Cubase Pro 8. This would have been fine, except the junior version of Cubase, which had been called Cubase SL, became Cubase Studio, and you could be forgiven for assuming the ‘studio’ appendage denoted the bigger version. Steinberg have often struggled in distinguishing the higher- and lower-end versions by name alone over the years, initially calling the senior program Cubase SX, until version 4 when they dropped the SX. What’s In A Name?The first change in Cubase 8 is the name. And if you can think of something, the chances are good this latest version of Steinberg’s popular “Advanced Music Production System” will offer the solution.
![]() ![]() Cubase 8.5 Manual Could NotTo understand how this might be different in practice, consider post-fader send effects. But the key difference is that whereas a group channel fader controls the mixed level of the assigned audio channels, VCA fader channels control the unmixed, individual levels of the assigned audio channels. Coming from the dark distant past of analogue consoles, VCA (Voltage-Controlled Amplifier) faders allow you to have one fader that controls the relative levels of a number of faders assigned to the corresponding VCA group.Now you might be thinking that this sounds an awful lot like existing group channels, which also permit the level of multiple audio channels to be controlled by a single fader. Pro Tools, by comparison, has had them since version 7.2 was released back in 2006. Chandi path mantrasTo create a VCA group, simply select the channels you want to be grouped in a Mix Console window, click the Link button, and click the Use VCA Fader tickbox. Here’s a very simple example of using VCA faders where, in an orchestral template, you might want to group the high strings (violins and violas) with one VCA group and the low strings (celli and basses) with another, but have an overall strings VCA fader as well.As you might expect, Steinberg have incorporated VCA fader functionality into Cubase’s Link Groups feature, which was greatly enhanced back in version 7. With VCA fader channels, because you’re turning down the individual levels, the amount of reverb would stay proportional overall. The track’s original automation is shown in grey. Here you can see an example of combination automation where an audio track belonging to a VCA group with pre-existing volume automation (top) is being affected by the VCA fader’s automation. This can be useful, as the manual suggests, for submixing drum kits, where you want to use a number of VCA fader channels to control relative levels of different parts of the kit, and a further VCA fader channel for the drum kit’s overall level.VCA fader channels also play nicely with automation by implementing a new type of automation called combination automation. My only small gripe is that while in Pro Tools you can do all this from either the Edit or the Mix window, in Cubase this functionality is only available from the Mix Console window.In addition to having a VCA fader channel controlling standard, output-producing channels, it’s also possible to group VCA fader channels themselves and have them controlled by another VCA fader channel. Tinto bras filmovi sa prevodomThis meant that if you wanted to try out something in between, the volume fader would always snap back to the value of the last automation event on that track once you let go. Previously, if you had some volume automation on a track at the start of a project and then some automation at the end of track, for example, the value of the last automation event in the first cluster of automation would be held over to the start of the second cluster. Introduced back in Nuendo 4 in 2007, Virgin Territories is a tremendously useful addition to Cubase’s automation system, which makes it possible to have non-continuous automation data. From Nuendo With LoveFollowing on from VCA faders, Steinberg have further enhanced Cubase’s mixing abilities by importing some features that, until now, have only been available in Nuendo, their high-end package targeted at post-production environments. However, if a track contains its own independent automation, combination automation is written instead, where the original automation curve appears in dark and a new curve is superimposed, based on the combination of the original automation and the VCA fader track automation.If you later want to remove a channel from a group that has combined automation, Cubase will politely ask you if you want to keep the combined automation, or revert back to the original automation. If there’s no existing automation on those tracks, the automation is written normally, based on the movements of the VCA fader track.
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